valmora: "Monty Python and the Holy Grail": King Arthur abusing a peasant, captioned "Help, help, I'm being repressed!" (repression)
[personal profile] valmora
Title: "i have found grace in thine eyes"
Rating: PG-13
Fandom: Hetalia
Pairing: Finland/Sweden
Disclaimer: not my characters, no money made
Notes: originally written for this prompt and archived here on the kink meme, and linked here on the kindex.

Certain phrases, including the title, are drawn from 1 Samuel 18-21 (KJV).



He once knew the stars so deeply that he felt them as tides in his bones, dancing slow waltzing pivots in the sky. Now there are stars all around him, and none of them guide his ships home.

It has been a long time since he went sailing into the ocean, not knowing where the nearest land would be. A thousand years and more, since long before he had heard of the White Christ.

This ship has no dragon’s-head, no oars, no rocking deck. No sails, but rather flux-drives with which to fold the shape of the universe. To take them beyond all known shores.

A hand, pressed flat to his back. “What are you thinking?” Finland asks, moving to stand beside him.

“We're ‘n a ship, but there’s no sea.”

Finland bows his head a little. He is not tempted to the pleasure of sailing, raiding, looting. Gold and fire. But Sweden – well, the unknown. No laws, no police, no intergalactic tribunals, yet. It is as things were before, but with fifteen hundred years of history and savagery to teach them civility. Somehow he doubts that he will be the only one tempted to piracy. If he does not fall, then that is not because others will not.

“The navigators say there’s a planet thirty minutes’ jump from here. It might be habitable. We’ll be passing by.”

Sweden closes his eyes, then opens them again to watch the stars. He knows what those of his people who came on this ship asked for: a planet like Earth, with seasons and infrequent seismic activity, and soil that could support edible food without too much terraforming. Water, and enough of it for a world’s worth of people, though they are few now.

He worries about inbreeding. He worries, because this is a one-planet system, and the proper plural of human is murder, and Finland came with him.

He is not afraid to die, to fade away in a thousand years in Finland’s arms as their child, this future-planet, stretches and grows, healthy. What he fears is a thousand years of watching Finland die in his arms, beloved and hated as their people kill each other for want of humanity. What he fears is a thousand years of bleeding as Finland breaks his bones, again and again, killing him as Finland’s people kill his own.

“We should have a dual-planet system,” he breathes. “Two houses. Like b’fore. United currency, free trade. Free travel.”

“But that might take a long time to find. We can only go so much longer before we’d have to go into cold sleep and just keep going, and going, until there's nobody nearby.”

Their provinces are gone, their own colonies established elsewhere; Åland fled Earth long years ago, barely a decade after Sealand did. He only has Finland left, really. There isn’t enough fuel to return. They can only go forward, and once they settle, there will be no leaving again.

Finland’s hair glitters silver-gilt in the light. They have both become younger during this trip, to reflect the mindset of their people. Sweden’s knees no longer ache in the morning, and Finland’s mouth has no longer been set by sadness. The curve of Finland’s back is still some of the most elegant poetry Sweden knows. “I need t’know y’could leave if y’had to.”

Finland laughs softly, turns, pulls Sweden close and kisses the corner of his mouth. Even after, he rests his head on Sweden’s shoulder, lets his arms fall loosely around Sweden’s waist. “I’ve lived all my life beside you, two small countries in Northern Europe. Give me half a world and I shall be content for at least a little while.”

“’n if you’re not?”

“Then let me make a ship, that you and I alone may go and leave our child here.” He brushes his fingers along the fall of Sweden’s neck. “You have given me the robes that were upon you, and your garments, and your sword, and your bow, and we have made a covenant between our houses. My soul is knit with yours, as yours is with mine.”

Sweden closes his eyes, buries his face in Finland’s hair. Holds him. His lips taste of the sea.

Date: 2010-03-09 03:47 pm (UTC)
From: [identity profile] pargoletta.livejournal.com
I'm always astounded at how such a silly-bordering-on-icky* canon as Hetalia can inspire such seriously-thought-out fic. (I kind of also liked the other title on the kink meme, because I watched way too much of The Muppet Show as a small child in the early 1980s. "Nations . . . In . . . SPAAAAAAAAAACE!" But I digress.)

I like the way that you link the early years of space exploration to the Viking maritime age; the link between space and the sea is not new (see Star Trek), but it's always a treat to see it done well and thoughtfully. I also enjoyed your musings on how the nation-characters change physically in response to their people's attitudes toward life, getting physically younger when the people take up a new, rejuvenating adventure.

Of course, being the student of an academic who studies nationalism seriously, I do have to wonder how the nation-characters will fare now that they aren't tied to their particular patches of earth any more; it raises the age-old question of what, exactly, "the nation" is. Is it the people? Is it descent? Is it language? Is it geography? Is it the same as a state, or not?





*It's the cutesy Axis powers that just kind of hit me wrong, I think.

Date: 2010-03-10 12:01 am (UTC)
From: [identity profile] valmora.livejournal.com
cutesy Axis powers
Yeah. I kind of had a WTF ILLUSTRATORS? reaction to the bit of the ending theme that involves goose-stepping chibis.

way too much of The Muppet Show
Which I confess I've never seen.

I do have to wonder how the nation-characters will fare
I actually wrote a craptasmically awful sequel to this piece that answers this question, again on the kink meme. It's not exactly happy.

I think ultimately "the nation" is what people want it to be - you can try to define it on "blood" (as Japan has to some extent actually done, with unfortunate side effects), or you can define it on language (a significant portion of the Finnish nationalist movement was based on Finnish language nationalism, which is rather unfortunate when you consider that there is a not-insignificant Swedish-speaking minority there), or you can define it on geography (again, Japan, and to some extent Britain - this is easier with island nations), or you can define it on ideology (the US, to some extent).

Date: 2010-03-10 01:03 am (UTC)
From: [identity profile] pargoletta.livejournal.com
Lordy, I'd forgotten the goose-stepping chibis. Oy vey.

Usually I don't say this to people, but in this case it applies: You're too young to have seen The Muppet Show. It really was a late 70s/early 80s phenomenon. I don't remember exactly when the show ended, but by the time it did, the Muppets had become a bona fide cultural force, more known for their movies than anything else. It's only recently that old episodes of The Muppet Show have been coming out on DVD. Watching them again, I realized that it was an old-fashioned show even during its run; it was meant as a parody of the kind of televised vaudevilles that were current in the 50s, and a lot of the humor was distinctly grown-up oriented. It's the kind of show that they pretty much stopped making in the 80s, a grown-up show that kids loved.

I have very fond memories of being about seven years old, and waiting for Saturday nights, when The Muppet Show was broadcast on Channel 8, right after a political talk show that I always referred to as "The Talking Heads" because of its dull camerawork. My mom and dad would watch The Muppet Show with me -- we'd all snuggle up on the couch in front of the tiny old black-and-white TV we had at the time, and we'd all find something to laugh about with that show. Good times.

Date: 2010-03-10 01:13 am (UTC)
From: [identity profile] valmora.livejournal.com
Oy vey.
I think my reaction was to laugh into my facepalm of horror, yeah.

You're too young to have seen The Muppet Show.
Ah, then I don't feel so bad. =D

Date: 2010-03-10 01:48 am (UTC)
From: [identity profile] pargoletta.livejournal.com
I think there are some episodes of The Muppet Show on YouTube. You might want to check a few of them out if you're curious. I think you might enjoy some of the humor.

Date: 2010-03-14 05:27 am (UTC)
From: [identity profile] confictionery.livejournal.com
I'm incredibly happy that I guessed right about the author of this piece, because when it was still anonymous I wrote something inspired by it and credited you before realizing my assumption and redirecting it to "anonymous." Now I can credit you properly :)

This was beautifully written, I can't stress that enough. While not especially a fan of the subject, I found myself reading this over and over just because it was enjoyable to simply see the way the words came together.

Date: 2010-03-14 08:39 am (UTC)
From: [identity profile] valmora.livejournal.com
Out of curiosity, what gave me away?

I'm glad you enjoy it - this is one of my favorite pieces I've written, for Hetalia or otherwise, so it means a lot to me that you do.

Date: 2010-03-15 06:39 pm (UTC)
From: [identity profile] confictionery.livejournal.com
It's hard for me to put a finger on exactly what! The speech patterns, I think, and also the mention of Åland at all, but particularly the take on the relationship between the two of them is something I found familiar to the other things you've written. I hope you don't take that as a bad thing!

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